{"id":3976,"date":"2023-09-01T23:10:59","date_gmt":"2023-09-02T03:10:59","guid":{"rendered":"https:\/\/parmaks.com\/Resources\/a-posy-of-poems-celebrating-the-joys-and-consolations-of-the-garden-the-marginalian\/"},"modified":"2023-09-01T23:10:59","modified_gmt":"2023-09-02T03:10:59","slug":"a-posy-of-poems-celebrating-the-joys-and-consolations-of-the-garden-the-marginalian","status":"publish","type":"post","link":"https:\/\/parmaks.com\/Resources\/a-posy-of-poems-celebrating-the-joys-and-consolations-of-the-garden-the-marginalian\/","title":{"rendered":"A Posy of Poems Celebrating the Joys and Consolations of the Garden \u2013 The Marginalian"},"content":{"rendered":"<p> <a href=\"https:\/\/hop.clickbank.net\/?affiliate=infohatch&amp;vendor=J1R2C\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10614 aligncenter\" src=\"http:\/\/parmaks.com\/Resources\/wp-content\/uploads\/2025\/05\/profit-gen400px.png\" alt=\"Profit Gen\" width=\"400\" height=\"217\" srcset=\"https:\/\/parmaks.com\/Resources\/wp-content\/uploads\/2025\/05\/profit-gen400px.png 400w, https:\/\/parmaks.com\/Resources\/wp-content\/uploads\/2025\/05\/profit-gen400px-300x163.png 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a><br \/>\n<\/p>\n<div>\n<p><a href=\"https:\/\/www.amazon.com\/Leaning-toward-Light-Poems-Gardens\/dp\/1635865808\/?tag=braipick-20\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" width=\"320\" height=\"427\" class=\"cover with-border alignright size-medium jetpack-lazy-image\" alt=\"Leaning Toward Light: A Posy of Poems Celebrating the Joys and Consolations of the Garden\" decoding=\"async\" srcset=\"https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2023\/08\/leaningtowardlight.jpg?w=1800&amp;ssl=1 1800w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2023\/08\/leaningtowardlight.jpg?resize=320%2C427&amp;ssl=1 320w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2023\/08\/leaningtowardlight.jpg?resize=600%2C800&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2023\/08\/leaningtowardlight.jpg?resize=240%2C320&amp;ssl=1 240w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2023\/08\/leaningtowardlight.jpg?resize=768%2C1024&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2023\/08\/leaningtowardlight.jpg?resize=1152%2C1536&amp;ssl=1 1152w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2023\/08\/leaningtowardlight.jpg?resize=1536%2C2048&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2023\/08\/leaningtowardlight.jpg?w=1360&amp;ssl=1 1360w\" data-lazy-sizes=\"(max-width: 320px) 100vw, 320px\" src=\"https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2023\/08\/leaningtowardlight.jpg?fit=320%2C427&amp;ssl=1&amp;is-pending-load=1\"\/><\/a><\/p>\n<p>\u201cGardening is like poetry in that it is gratuitous, and also that it cannot be done on will alone,\u201d the poet and passionate gardener May Sarton wrote as she contemplated <a href=\"https:\/\/www.themarginalian.org\/2023\/04\/18\/may-sarton-gardening-writing\/\">the parallels between these two creative practices<\/a> \u2014 parallels that have led centuries of beloved writers <a href=\"https:\/\/www.themarginalian.org\/2022\/05\/07\/writers-artists-gardens\/\">to reverence the garden<\/a>. No wonder Emily Dickinson spent her life believing that <a href=\"https:\/\/www.themarginalian.org\/2022\/02\/04\/universe-in-verse-bloom\/\">\u201cto be Flower, is profound Responsibility.\u201d<\/a> No wonder Virginia Woolf had <a href=\"https:\/\/www.themarginalian.org\/2015\/09\/09\/virginia-woolf-cotton-wool-moments-of-being\/\">her epiphany about what it means to be an artist<\/a> in the garden.<\/p>\n<p>The garden as a place of reverence and responsibility, a practice of ample creative and spiritual rewards, comes alive in <a href=\"https:\/\/www.amazon.com\/Leaning-toward-Light-Poems-Gardens\/dp\/1635865808\/?tag=braipick-20\" target=\"_blank\" rel=\"noopener\"><strong><em>Leaning toward Light: Poems for Gardens &amp; the Hands that Tend Them<\/em><\/strong><\/a> (<a href=\"https:\/\/www.worldcat.org\/title\/1355502485\" target=\"_blank\" rel=\"noopener\"><em>public library<\/em><\/a>). Envisioned and edited by poet and gardener Tess Taylor, it is a blooming testament to the etymology of <em>anthology<\/em> \u2014 from the Greek <em>anthos<\/em> (flower) and legein (<em>to gather<\/em>): the gathering of flowers \u2014 rooted in her belief that \u201cthe garden poem is as ancient as literature itself.\u201d  <\/p>\n<figure id=\"attachment_77070\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.themarginalian.org\/2022\/05\/30\/rosalind-hobley-cyanotype-flowers\/\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" width=\"680\" height=\"850\" class=\"size-full wp-image-77070 jetpack-lazy-image\" data-recalc-dims=\"1\" srcset=\"https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2022\/05\/rosalindhobley_dahlias.jpg?w=1500&amp;ssl=1 1500w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2022\/05\/rosalindhobley_dahlias.jpg?resize=320%2C400&amp;ssl=1 320w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2022\/05\/rosalindhobley_dahlias.jpg?resize=600%2C750&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2022\/05\/rosalindhobley_dahlias.jpg?resize=240%2C300&amp;ssl=1 240w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2022\/05\/rosalindhobley_dahlias.jpg?resize=768%2C960&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2022\/05\/rosalindhobley_dahlias.jpg?resize=1229%2C1536&amp;ssl=1 1229w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2022\/05\/rosalindhobley_dahlias.jpg?w=1360&amp;ssl=1 1360w\" data-lazy-sizes=\"(max-width: 680px) 100vw, 680px\" src=\"https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2022\/05\/rosalindhobley_dahlias.jpg?resize=680%2C850&amp;is-pending-load=1#038;ssl=1\"\/><noscript><img loading=\"lazy\" data-lazy-fallback=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2022\/05\/rosalindhobley_dahlias.jpg?resize=680%2C850&amp;ssl=1\" alt=\"\" width=\"680\" height=\"850\" class=\"size-full wp-image-77070\" srcset=\"https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2022\/05\/rosalindhobley_dahlias.jpg?w=1500&amp;ssl=1 1500w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2022\/05\/rosalindhobley_dahlias.jpg?resize=320%2C400&amp;ssl=1 320w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2022\/05\/rosalindhobley_dahlias.jpg?resize=600%2C750&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2022\/05\/rosalindhobley_dahlias.jpg?resize=240%2C300&amp;ssl=1 240w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2022\/05\/rosalindhobley_dahlias.jpg?resize=768%2C960&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2022\/05\/rosalindhobley_dahlias.jpg?resize=1229%2C1536&amp;ssl=1 1229w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2022\/05\/rosalindhobley_dahlias.jpg?w=1360&amp;ssl=1 1360w\" sizes=\"auto, (max-width: 680px) 100vw, 680px\" data-recalc-dims=\"1\"\/><\/noscript><\/a><figcaption class=\"wp-caption-text\">Dahlias by cyanotype artist <a href=\"https:\/\/www.themarginalian.org\/2022\/05\/30\/rosalind-hobley-cyanotype-flowers\/\">Rosalind Hobley<\/a>.<\/figcaption><\/figure>\n<p>Punctuating some of the loveliest poetic voices of our time are a handful of classics \u2014 Keats\u2019s ode to autumn, a yawp of wildness from Whitman\u2019s <em>Song of Myself<\/em>, Lucille Clifton\u2019s spare, stunning <a href=\"https:\/\/www.themarginalian.org\/2018\/06\/27\/terrance-hayes-cutting-greens-lucille-clifton\/\">\u201ccutting greens\u201d<\/a> \u2014 and a miniature modern counterpart to the vintage gem <a href=\"https:\/\/www.themarginalian.org\/2012\/11\/14\/john-keatss-porridge-favorite-recipes-of-american-poets\/\"><em>John Keats\u2019s Porridge: Favorite Recipes of American Poets<\/em><\/a>: garden-grown delicacies like Jane Hirshfield\u2019s braised fava beans, Ashley M. Jones\u2019s glazed carrots, and Ellen Bass\u2019s melon and cucumber gazpacho with basil oil.<\/p>\n<p>In the garden, the poets find consolation for grief, connection to the cosmic compost that made us, consecration of our finitude and of the infinite in us \u2014 for <a href=\"https:\/\/www.themarginalian.org\/2021\/04\/04\/derek-jarman-modern-nature-gardening\/\">\u201cthe gardener digs in another time, without past or future, beginning or end\u2026 the Amen beyond the prayer.\u201d<\/a><\/p>\n<p>Mostly, they find vitality, find reassurance, find reasons for rejoicing in the aliveness of life. Again and again, the most exultant of poetic forms rises from the page like a sun: There is an ode to the tulip and to the turnip, to fennel and to its cousin the carrot, that <a href=\"https:\/\/www.themarginalian.org\/2022\/07\/17\/carrots-kindness\/\">kindest of vegetables<\/a>, and not one but two odes to garlic \u2014 but no ode more splendid than that to the peach by Ellen Bass, uncommon <a href=\"https:\/\/www.themarginalian.org\/2020\/10\/02\/the-big-picture-ellen-bass\/\">poet of perspective<\/a>.<\/p>\n<figure id=\"attachment_80835\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/society6.com\/product\/gilded-peach-from-peach-culture-by-james-alexander-fulton-1882_print?curator=brainpicker&amp;utm_campaign=2574&amp;utm_source=sharedlink&amp;utm_medium=social&amp;utm_content=pdp_from_artist_studio?curator=brainpicker\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" width=\"680\" height=\"997\" class=\"size-full wp-image-80835 jetpack-lazy-image\" data-recalc-dims=\"1\" srcset=\"https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2023\/08\/peach_1882_TheMarginalian.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2023\/08\/peach_1882_TheMarginalian.jpg?resize=320%2C469&amp;ssl=1 320w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2023\/08\/peach_1882_TheMarginalian.jpg?resize=600%2C880&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2023\/08\/peach_1882_TheMarginalian.jpg?resize=240%2C352&amp;ssl=1 240w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2023\/08\/peach_1882_TheMarginalian.jpg?resize=768%2C1126&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2023\/08\/peach_1882_TheMarginalian.jpg?resize=1048%2C1536&amp;ssl=1 1048w\" data-lazy-sizes=\"(max-width: 680px) 100vw, 680px\" src=\"https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2023\/08\/peach_1882_TheMarginalian.jpg?resize=680%2C997&amp;is-pending-load=1#038;ssl=1\"\/><noscript><img data-lazy-fallback=\"1\" decoding=\"async\" loading=\"lazy\" src=\"https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2023\/08\/peach_1882_TheMarginalian.jpg?resize=680%2C997&amp;ssl=1\" alt=\"\" width=\"680\" height=\"997\" class=\"size-full wp-image-80835\" srcset=\"https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2023\/08\/peach_1882_TheMarginalian.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2023\/08\/peach_1882_TheMarginalian.jpg?resize=320%2C469&amp;ssl=1 320w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2023\/08\/peach_1882_TheMarginalian.jpg?resize=600%2C880&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2023\/08\/peach_1882_TheMarginalian.jpg?resize=240%2C352&amp;ssl=1 240w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2023\/08\/peach_1882_TheMarginalian.jpg?resize=768%2C1126&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2023\/08\/peach_1882_TheMarginalian.jpg?resize=1048%2C1536&amp;ssl=1 1048w\" sizes=\"auto, (max-width: 680px) 100vw, 680px\" data-recalc-dims=\"1\"\/><\/noscript><\/a><figcaption class=\"wp-caption-text\">Gilded peach from <em>Peach Culture<\/em> by James Alexander Fulton, 1882. (Available as <a href=\"https:\/\/society6.com\/product\/gilded-peach-from-peach-culture-by-james-alexander-fulton-1882_print?curator=brainpicker&amp;utm_campaign=2574&amp;utm_source=sharedlink&amp;utm_medium=social&amp;utm_content=pdp_from_artist_studio?curator=brainpicker\" target=\"_blank\" rel=\"noopener\">a print<\/a> and as <a href=\"https:\/\/society6.com\/product\/gilded-peach-from-peach-culture-by-james-alexander-fulton-1882_cards?curator=brainpicker&amp;utm_campaign=2574&amp;utm_source=sharedlink&amp;utm_medium=social&amp;utm_content=pdp_from_artist_studio?curator=brainpicker\" target=\"_blank\" rel=\"noopener\">stationery cards<\/a>, benefitting The Nature Conservancy.)<\/figcaption><\/figure>\n<blockquote>\n<p><strong>ODE TO THE FIRST PEACH<\/strong><br \/><em>by Ellen Bass<\/em><\/p>\n<p>Only one insect has feasted here \u2014<br \/>a clear stub of resin<br \/>plugs the scar. And the hollow<br \/>where the stem was severed<br \/>shines with juice.<br \/>The fur still silvered<br \/>like a caul. Even<br \/>in the next minute,<br \/>the hairs will darken,<br \/>turn more golden in my palm.<br \/>Heavier, this flesh,<br \/>than you would imagine,<br \/>like the sudden<br \/>weight of a newborn.<br \/>Oh what a marriage<br \/>of citron and blush!<br \/>It could be a planet<br \/>reflected through a hall<br \/>of mirrors. Or<br \/>what a swan becomes<br \/>when a fairy shoots it<br \/>from the sky at dawn.<\/p>\n<p>At the beginning of the world,<br \/>when the first dense pith<br \/>was ravished and the stars<br \/>were not yet lustrous<br \/>coins fallen from the<br \/>pockets of night,<br \/>who could have dreamed<br \/>this would be curried<br \/>from the chaos?<br \/>Scent of morning and sugar,<br \/>bruise and hunger.<br \/>Silent, swollen, clefted life,<br \/>remnant always remaking itself<br \/>out of that first flaming ripeness.\n<\/p>\n<\/blockquote>\n<p>With her Buddhist training and her singular sensitivity to the elemental in us, <a href=\"https:\/\/www.themarginalian.org\/tag\/jane-hirshfield\/\">Jane Hirshfield<\/a> considers the meaning of faith:<\/p>\n<blockquote>\n<p><strong>NOVEMBER, REMEMBERING VOLTAIRE<\/strong><br \/><em>by Jane Hirshfield<\/em><\/p>\n<p>In the evenings<br \/>I scrape my fingernails clean,<br \/>hunt through old catalogues for new seed,<br \/>oil workboots and shears.<br \/>This garden is no metaphor \u2014<br \/>more a task that swallows you into itself,<br \/>earth using, as always, everything it can.<br \/>I lend myself to unpromising winter dirt<br \/>with leaf-mold and bulb,<br \/>plant into the oncoming cold.<br \/>Not that I ever thought<br \/>the philosopher meant to be taken literally,<br \/>but with no invented God overhead,<br \/>I conjure a stubborn faith in rotting<br \/>that ripens into soil,<br \/>in an old corm that rises steadily each spring:<br \/>not symbols, but reassurances,<br \/>like a mother\u2019s voice at bedtime reading a long-familiar book,<br \/>the known words barely listened to,<br \/>but joining, for all the nights of a life,<br \/>each world to the next.\n<\/p>\n<\/blockquote>\n<figure id=\"attachment_76635\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/society6.com\/product\/tulips-by-clarissa-munger-badger-1866-benefitting-the-nature-conservancy_print?curator=brainpicker\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" width=\"680\" height=\"934\" class=\"size-full wp-image-76635 jetpack-lazy-image\" data-recalc-dims=\"1\" srcset=\"https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2022\/04\/clarissamungerbadger_tulip.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2022\/04\/clarissamungerbadger_tulip.jpg?resize=320%2C440&amp;ssl=1 320w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2022\/04\/clarissamungerbadger_tulip.jpg?resize=600%2C825&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2022\/04\/clarissamungerbadger_tulip.jpg?resize=240%2C330&amp;ssl=1 240w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2022\/04\/clarissamungerbadger_tulip.jpg?resize=768%2C1055&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2022\/04\/clarissamungerbadger_tulip.jpg?resize=1118%2C1536&amp;ssl=1 1118w\" data-lazy-sizes=\"(max-width: 680px) 100vw, 680px\" src=\"https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2022\/04\/clarissamungerbadger_tulip.jpg?resize=680%2C934&amp;is-pending-load=1#038;ssl=1\"\/><noscript><img data-lazy-fallback=\"1\" decoding=\"async\" loading=\"lazy\" src=\"https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2022\/04\/clarissamungerbadger_tulip.jpg?resize=680%2C934&amp;ssl=1\" alt=\"\" width=\"680\" height=\"934\" class=\"size-full wp-image-76635\" srcset=\"https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2022\/04\/clarissamungerbadger_tulip.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2022\/04\/clarissamungerbadger_tulip.jpg?resize=320%2C440&amp;ssl=1 320w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2022\/04\/clarissamungerbadger_tulip.jpg?resize=600%2C825&amp;ssl=1 600w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2022\/04\/clarissamungerbadger_tulip.jpg?resize=240%2C330&amp;ssl=1 240w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2022\/04\/clarissamungerbadger_tulip.jpg?resize=768%2C1055&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2022\/04\/clarissamungerbadger_tulip.jpg?resize=1118%2C1536&amp;ssl=1 1118w\" sizes=\"auto, (max-width: 680px) 100vw, 680px\" data-recalc-dims=\"1\"\/><\/noscript><\/a><figcaption class=\"wp-caption-text\"><a href=\"https:\/\/www.themarginalian.org\/2021\/10\/03\/broken-tulips\/\">Broken tulips<\/a> by Clarissa Munger Badger, who <a href=\"https:\/\/www.themarginalian.org\/2022\/04\/24\/clarissa-munger-badger-flowers\/\">inspired Emily Dickinson<\/a>. (Available as <a href=\"https:\/\/society6.com\/product\/tulips-by-clarissa-munger-badger-1866-benefitting-the-nature-conservancy_print?curator=brainpicker\" target=\"_blank\" rel=\"noopener\">a print<\/a> and as <a href=\"https:\/\/society6.com\/brainpicker\/cards?sort=new?curator=brainpicker\" target=\"_blank\" rel=\"noopener\">stationery cards<\/a>, benefitting The Nature Conservancy.)<\/figcaption><\/figure>\n<p>Given <a href=\"https:\/\/www.themarginalian.org\/2021\/01\/02\/the-snail-with-the-right-heart\/\">the special place snails hold in my heart<\/a>, I was delighted to see <a href=\"https:\/\/www.themarginalian.org\/2016\/08\/29\/thom-gunn-reading-list-academy-of-american-poets\/\">Thom Gunn<\/a> celebrate a creature regarded by many gardeners as a foe:<\/p>\n<blockquote>\n<p><strong>CONSIDERING THE SNAIL<\/strong><br \/><em>by Thom Gunn<\/em><\/p>\n<p>The snail pushes through a green<br \/>night, for the grass is heavy<br \/>with water and meets over<br \/>the bright path he makes, where rain<br \/>has darkened the earth\u2019s dark. He<br \/>moves in a wood of desire,<\/p>\n<p>pale antlers barely stirring<br \/>as he hunts. I cannot tell<br \/>what power is at work, drenched there<br \/>with purpose, knowing nothing.<br \/>What is a snail\u2019s fury? All<br \/>I think is that if later<\/p>\n<p>I parted the blades above<br \/>the tunnel and saw the thin<br \/>trail of broken white across<br \/>litter, I would never have<br \/>imagined the slow passion<br \/>to that deliberate progress.<\/p>\n<\/blockquote>\n<figure class=\"wp-caption alignnone\"><a href=\"https:\/\/society6.com\/product\/paul-sougy-the-snail-1955-proceeds-benefit-the-nature-conservancy_print?sku=s6-11997296p4a1v46?curator=brainpicker\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" width=\"680\" height=\"901\" class=\"aligncenter size-full wp-image-69317 jetpack-lazy-image\" data-recalc-dims=\"1\" srcset=\"https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2019\/11\/sougy_snail.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2019\/11\/sougy_snail.jpg?resize=240%2C318&amp;ssl=1 240w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2019\/11\/sougy_snail.jpg?resize=320%2C424&amp;ssl=1 320w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2019\/11\/sougy_snail.jpg?resize=768%2C1018&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2019\/11\/sougy_snail.jpg?resize=600%2C795&amp;ssl=1 600w\" data-lazy-sizes=\"(max-width: 680px) 100vw, 680px\" src=\"https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2019\/11\/sougy_snail.jpg?resize=680%2C901&amp;is-pending-load=1#038;ssl=1\"\/><noscript><img data-lazy-fallback=\"1\" decoding=\"async\" loading=\"lazy\" src=\"https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2019\/11\/sougy_snail.jpg?resize=680%2C901&amp;ssl=1\" alt=\"\" width=\"680\" height=\"901\" class=\"aligncenter size-full wp-image-69317\" srcset=\"https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2019\/11\/sougy_snail.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2019\/11\/sougy_snail.jpg?resize=240%2C318&amp;ssl=1 240w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2019\/11\/sougy_snail.jpg?resize=320%2C424&amp;ssl=1 320w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2019\/11\/sougy_snail.jpg?resize=768%2C1018&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.themarginalian.org\/wp-content\/uploads\/2019\/11\/sougy_snail.jpg?resize=600%2C795&amp;ssl=1 600w\" sizes=\"auto, (max-width: 680px) 100vw, 680px\" data-recalc-dims=\"1\"\/><\/noscript><\/a><figcaption class=\"wp-caption-text\">Snail by <a href=\"https:\/\/www.themarginalian.org\/2019\/11\/29\/paul-sougy\/\">Paul Sougy<\/a>, 1955. (Available <a href=\"https:\/\/society6.com\/product\/paul-sougy-the-snail-1955-proceeds-benefit-the-nature-conservancy_print?sku=s6-11997296p4a1v46?curator=brainpicker\" target=\"_blank\" rel=\"noopener\">as a print<\/a>.)<\/figcaption><\/figure>\n<p>Ross Gay \u2014 <a href=\"https:\/\/www.themarginalian.org\/2019\/12\/01\/ross-gay-book-of-delights\/\">poet laureate of the garden\u2019s delights<\/a> \u2014 offers a poem almost too beautiful and bittersweet to bear, a poem as necessary as sunlight:<\/p>\n<blockquote>\n<p><strong>A SMALL NEEDFUL FACT<\/strong><br \/><em>by Ross Gay<\/em><\/p>\n<p>Is that Eric Garner worked<br \/>for some time for the Parks and Rec.<br \/>Horticultural Department, which means,<br \/>perhaps, that with his very large hands,<br \/>perhaps, in all likelihood,<br \/>he put gently into the earth<br \/>some plants which, most likely,<br \/>some of them, in all likelihood,<br \/>continue to grow, continue<br \/>to do what such plants do, like house<br \/>and feed small and necessary creatures,<br \/>like being pleasant to touch and smell,<br \/>like converting sunlight<br \/>into food, like making it easier<br \/>for us to breathe.<\/p>\n<\/blockquote>\n<p>From <a href=\"https:\/\/www.themarginalian.org\/2019\/03\/18\/merwin-berryman\/\">W.S. Merwin<\/a> comes a lush prayer for presence, originally published in his poetic farewell to life \u2014 his breathtaking final collection <a href=\"https:\/\/www.amazon.com\/gp\/product\/1556594992\/?tag=braipick-20\"><em>Garden Time<\/em><\/a>:<\/p>\n<blockquote>\n<p><strong>BLACK CHERRIES<\/strong><br \/><em>by W.S. Merwin<\/em><\/p>\n<p>Late in May as the light lengthens<br \/>toward summer the young goldfinches<br \/>flutter down through the day for the first time<br \/>to find themselves among fallen petals<br \/>cradling their day\u2019s colors in the day\u2019s shadows<br \/>of the garden beside the old house<br \/>after a cold spring with no rain<br \/>not a sound comes from the empty village<br \/>as I stand eating the black cherries<br \/>from the loaded branches above me<br \/>saying to myself Remember this<\/p>\n<\/blockquote>\n<p>Complement these fragments from the wholly wonderful <a href=\"https:\/\/www.amazon.com\/Leaning-toward-Light-Poems-Gardens\/dp\/1635865808\/?tag=braipick-20\" target=\"_blank\" rel=\"noopener\"><strong><em>Leaning toward Light<\/em><\/strong><\/a> with Diane Ackerman\u2019s sensuous poem <a href=\"https:\/\/www.themarginalian.org\/2018\/06\/05\/diane-ackerman-the-consolation-of-apricots\/\">\u201cThe Consolation of Apricots\u201d<\/a> and the Victorian poet and painter Rebecca Hey\u2019s <a href=\"https:\/\/www.themarginalian.org\/2020\/02\/07\/the-moral-of-flowers-rebecca-hey\/\">illustrated encyclopedia of poetic lessons from the garden<\/a>, then revisit two centuries of great writers and artists on <a href=\"https:\/\/www.themarginalian.org\/2022\/05\/07\/writers-artists-gardens\/\">the creative and spiritual rewards of gardening<\/a>.<\/p>\n<\/p><\/div>\n<p><a href=\"https:\/\/hop.clickbank.net\/?affiliate=infohatch&amp;vendor=J1R2C\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10614 aligncenter\" src=\"http:\/\/parmaks.com\/Resources\/wp-content\/uploads\/2025\/05\/profit-gen400px.png\" alt=\"Profit Gen\" width=\"400\" height=\"217\" srcset=\"https:\/\/parmaks.com\/Resources\/wp-content\/uploads\/2025\/05\/profit-gen400px.png 400w, https:\/\/parmaks.com\/Resources\/wp-content\/uploads\/2025\/05\/profit-gen400px-300x163.png 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/a><br \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cGardening is like poetry in that it is gratuitous, and also that it cannot be done on will alone,\u201d the poet and passionate gardener May [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3977,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[],"class_list":["post-3976","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-purpose"],"_links":{"self":[{"href":"https:\/\/parmaks.com\/Resources\/wp-json\/wp\/v2\/posts\/3976","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/parmaks.com\/Resources\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/parmaks.com\/Resources\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/parmaks.com\/Resources\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/parmaks.com\/Resources\/wp-json\/wp\/v2\/comments?post=3976"}],"version-history":[{"count":0,"href":"https:\/\/parmaks.com\/Resources\/wp-json\/wp\/v2\/posts\/3976\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/parmaks.com\/Resources\/wp-json\/wp\/v2\/media\/3977"}],"wp:attachment":[{"href":"https:\/\/parmaks.com\/Resources\/wp-json\/wp\/v2\/media?parent=3976"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/parmaks.com\/Resources\/wp-json\/wp\/v2\/categories?post=3976"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/parmaks.com\/Resources\/wp-json\/wp\/v2\/tags?post=3976"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}