{"id":7208,"date":"2024-04-17T14:25:13","date_gmt":"2024-04-17T18:25:13","guid":{"rendered":"https:\/\/parmaks.com\/Resources\/pioneering-sociologist-and-philosopher-helen-merrell-lynd-on-the-uncomfortable-path-to-wholeness-the-marginalian\/"},"modified":"2024-04-17T14:25:13","modified_gmt":"2024-04-17T18:25:13","slug":"pioneering-sociologist-and-philosopher-helen-merrell-lynd-on-the-uncomfortable-path-to-wholeness-the-marginalian","status":"publish","type":"post","link":"https:\/\/parmaks.com\/Resources\/pioneering-sociologist-and-philosopher-helen-merrell-lynd-on-the-uncomfortable-path-to-wholeness-the-marginalian\/","title":{"rendered":"Pioneering Sociologist and Philosopher Helen Merrell Lynd on the Uncomfortable Path to Wholeness \u2013 The Marginalian"},"content":{"rendered":"

\"Profit<\/a>
\n<\/p>\n

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\"Shame<\/a><\/p>\n

There are certain experiences that shatter the eggshell of the self and spill the yolk of the unconscious, slippery and fertile, aglow with potential for growth. Shame is one of them \u2014 an experience private and powerful, rife with the most elemental questions of who we are and where we belong. At its core is a peculiar form of inner conflict<\/a>, in which one part of the self gasps with revulsion at the choices of another, exposing the fundamental incoherence of our inner lives and the longing for what D.H. Lawrence called \u201cliving unison,\u201d<\/a> exposing the unsteady foundations of reality itself.<\/p>\n

The pioneering sociologist and philosopher Helen Merrell Lynd<\/strong> (March 17, 1896\u2013January 30, 1982) examines shame as a singular lens on the self, and on the human potential for integration and transformation, in her revelatory 1958 book On Shame and the Search for Identity<\/em><\/strong><\/a> (public library<\/em><\/a>) \u2014 an investigation of the disconnect between the people we think ourselves to be and the people we act ourselves into being, inviting a proper understanding of shame as a pathway toward a more conscious and coherent self.<\/p>\n

\"\"<\/a>
Art by Marianne Dubuc from The Lion and the Bird<\/em><\/a><\/figcaption><\/figure>\n

Lynd writes:<\/p>\n

\n

Shame is an experience that affects and is affected by the whole self. This whole-self involvement is one of its distinguishing characteristics and one that makes it a clue to identity\u2026 In this moment of self<\/em>-consciousness, the self stands revealed. Coming suddenly upon us, experiences of shame throw a flooding light on what and who we are and what the world we live in is.<\/p>\n<\/blockquote>\n

Those experiences that involve the whole self are particularly vulnerable to our compulsion for categories and labels, born of an anxiety to contain the in the finite the infinities of the mind, to wrest order from the chaos of the heart. With an eye to the challenge of comprehending and communicating such complex experiences \u2014 experiences like love, wonder, longing, self-respect, and shame \u2014 Lynd cautions against the limiting nature of labels:<\/p>\n

\n

Reliance on accepted categories and methods may mean that certain phenomena essential for understanding identity escape attention. In the present climate of psychological thought any observed human characteristic speedily acquires a label, which encases it within one of the experimentalists\u2019 or the clinicians\u2019 categories. Extensive as these categories are, applied to some life situations they may be more constricting than informing. <\/p>\n

Certain pervasive experiences, not easily labeled, may slip through the categories altogether or, if given a location and a name, may be circumscribed in such a way that their essential character is lost. Habituation to such usage may blind us still further to the necessity of searching more deeply into the nature of these experiences.<\/p>\n<\/blockquote>\n

To look more closely at experiences \u201chard to isolate and confine,\u201d she argues, is to look into the very nature of the self, into what William James called the \u201cblooming buzzing confusion\u201d of consciousness. Lynd writes:<\/p>\n

\n

It is no accident that experiences of shame are called self<\/em>-consciousness. Such experiences are characteristically painful. They are usually taken as something to be hidden, dodged, covered up \u2014 even, or especially, from oneself. Shame interrupts any unquestioning, unaware sense of oneself. But it is possible that experiences of shame if confronted full in the face may throw an unexpected light on who one is and point the way toward who one may become. Fully faced, shame may become not primarily something to be covered, but a positive experience of revelation.<\/p>\n<\/blockquote>\n

<\/a>
Illustration by Mimmo Paladino for a rare edition of James Joyce\u2019s Ulysses<\/em><\/a><\/figcaption><\/figure>\n

Part of what makes shame so misunderstood and underinvestigated is that it is often conflated with guilt. Although the two may complement and reinforce one another, guilt tends to arise from the feeling of wrongdoing, of having transgressed a boundary, while shame stems from the feeling of falling short, of failing to reach a hope or meet an expectation, which anchors it in a deeper stratum of the personality \u2014 for rules and boundaries are externally constructed, while our hopes, expectations, and ideals are the most intimate building blocks of personhood. This is why an apology accepted and pardon granted can vanquish guilt, but they do little to allay shame. Lynd writes:<\/p>\n

\n

Guilt can be expiated. Shame, short of a transformation of the self, is retained. This transformation means, in Plato\u2019s words, a turning of the whole soul toward the light.<\/p>\n<\/blockquote>\n

Drawing on a kaleidoscope of examples from literature \u2014 Shakespeare and Sartre, The Bible and Anna Karenina<\/em>, Virginia Woolf\u2019s diaries and Huckleberry Finn<\/em> \u2014 she observes that shame is most often contrasted not with extrinsic measures like righteousness and approval by others but with the elemental, intrinsic values of truth and honor. It is a mirror held up to the self, brutal and sobering \u2014 a revelation of a profound breach between the ideal self, in which our self-image is rooted, and the real self. She writes:<\/p>\n

\n

Experiences of shame appear to embody the root meaning of the word \u2014 to uncover, to expose, to wound. They are experiences of exposure, exposure of peculiarly sensitive, intimate, vulnerable aspects of the self. The exposure may be to others but, whether others are or are not involved, it is always\u2026 exposure to one\u2019s own eyes\u2026 Shame is the outcome not only of exposing oneself to another person but of the exposure to oneself of parts of the self that one has not recognized and whose existence one is reluctant to admit.<\/p>\n

[\u2026]<\/p>\n

The feeling of unexpectedness marks one of the central contrasts between shame and guilt. This unexpectedness is more than suddenness in time; it is also an astonishment at seeing different parts of ourselves, conscious and unconscious, acknowledged and unacknowledged, suddenly coming together, and coming together with aspects of the world we have not recognized. Patterns of events (inner and outer) of which we are not conscious come unexpectedly into relation with those of which we are aware.<\/p>\n<\/blockquote>\n

This feeling of internal incongruence is the most painful aspect of shame \u2014 a vivid reminder that we know ourselves only incompletely and have but marginal control over which parts of us<\/a> take the reins of personhood at any given moment. (And yet this aspect of self-surprise is something shame shares with some of the most beautiful capacities of consciousness \u2014 wonder and delight, also marked by the gasp at another dimension of reality revealed. Homer linked Aidos \u2014 the Greek goddess of shame \u2014 to awe.) Lynd writes:<\/p>\n

\n

Being taken unawares is shameful when what is suddenly exposed is incongruous with, or glaringly inappropriate to, the situation, or to our previous image of ourselves in it\u2026 We have acted on the assumption of being one kind of person living in one kind of surroundings, and unexpectedly, violently, we discover that these assumptions are false. We had thought that we were able to see around certain situations and, instead, discover in a moment that it is we who are exposed; alien people in an alien situation can see around us.<\/p>\n<\/blockquote>\n

What makes shame most unbearable is this feeling of sudden expatriation from reality, which leaves trust \u2014 in oneself, in the world \u2014 dangerously jeopardized. Paradoxically, it is often not the darkest but the brightest in us that is most vulnerable to shame. Lynd writes:<\/p>\n

\n

Part of the difficulty in admitting shame to oneself arises from reluctance to recognize that one has built on false assumptions about what the world one lives in is and about the way others will respond to oneself\u2026 Shame over a sudden uncovering of incongruity mounts when what is exposed is inappropriate positive expectation, happy and confident commitment to a world that proves to be alien or nonexistent\u2026 Even more than the uncovering of weakness or ineptness, exposure of misplaced confidence can be shameful \u2014 happiness, love, anticipation of a response that is not there, something personally momentous received as inconsequential. The greater the expectation, the more acute the shame.<\/p>\n<\/blockquote>\n

\"\"<\/a>
Art from Cephalopod Atlas<\/em><\/a>, the world\u2019s first encyclopedia of deep-sea creatures. (Available as a print<\/a> and as stationery cards<\/a>.)<\/figcaption><\/figure>\n

Shame is so difficult to bear because it takes us back to the core vulnerabilities of childhood, that tender need for congruence between the world of our imagination and the real world, the longing for a single world that coheres. Lynd writes:<\/p>\n

\n

Basic trust in the personal and in the physical world that surrounds him is the air that the child must breathe if he is to have roots for his own sense of identity and for the related sense of his place in the world. As he gradually differentiates the world of in here from the world of out there he is constantly testing the coherence, continuity, and dependability of both\u2026 Expectation and having expectation met are crucial in developing a sense of coherence in the world and in oneself.<\/p>\n<\/blockquote>\n

Because it is so rooted in our grasp of reality, the shame of having misjudged a situation, misplaced an expectation, miscalculated one\u2019s own merits, is a profound unmooring of the psyche:<\/p>\n

\n

What we have thought we could count on in ourselves, and what we have thought to be the boundaries and contours of the world, turn out suddenly not to be the \u201creal\u201d outlines of ourselves or of the world, or those that others accept. We have become strangers in a world where we thought we were at home. We experience anxiety in becoming aware that we cannot trust our answers to the questions Who am I? Where do I belong?<\/em><\/p>\n

[\u2026]<\/p>\n

Because personality is rooted in unconscious and unquestioned trust in one\u2019s immediate world, experiences that shake trusted anticipations and give rise to doubt may be of lasting importance\u2026 Shattering of trust in the dependability of one\u2019s immediate world means loss of trust in other persons, who are the transmitters and interpreters of that world. We have relied on the picture of the world they have given us and it has proved mistaken; we have turned for response in what we thought was a relation of mutuality and have found our expectation misinterpreted or distorted; we have opened ourselves in anticipation of a response that was not forthcoming. With every recurrent violation of trust we become again children unsure of ourselves in an alien world.<\/p>\n<\/blockquote>\n

In the remainder of On Shame and the Search for Identity<\/em><\/strong><\/a>, Lynd goes on to explore examples of shame and its conciliation across the canon of Western literature, then examines the two natures of shame, what it offers in confronting the tragedy of life, and how to think from parts to wholes. Couple it with Lynd\u2019s contemporary Karen Horney on the conciliation of our inner conflicts<\/a>, then revisit Ellen Bass\u2019s magnificent poem \u201cHow to Apologize.\u201d<\/a> <\/p>\n<\/p><\/div>\n

\"Profit<\/a>
<\/p>\n","protected":false},"excerpt":{"rendered":"

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